Publicly Venting on The Creative Confessional

[written and posted Jan. 25, 2013]

What is the advertising industry about?

Over and over again (ad nauseum) I hear creatives say they want to “make cool shit.”  Awesome.  But what are some (maybe most) doing instead of dressing ponies in sweaters and creating krakens that kidnap right now? Whining.

Wait.  Hold on a minute.  I love advertising creatives.  I have the highest respect for great art directors, copywriters and graphic designers.  And I understand that some clients are hard to work with, some projects suck, and account managers will inevitably get on your nerves.  I get it- creatives need to vent.

But do they need to vent on The Creative Confessional for the world to see?  Many people already hate advertising; they hate what it’s about and the people who create it.  And yet, this week advertising professionals have aired the dirtiest of their laundry anonymously, yes, but publicly online.  Couldn’t that time venting and then reading others’ confessions be spent “making cool shit,” maybe?

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Sure, some of the posts are industry inside jokes.

 

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Comic_Sans

 

 

 

 

 

 

Vectors

 

 

 

 

 

 

 

Yet, some creative confessions are downright depressing, hurtful or frightening.

 

Juniors

 

 

 

 

 

 

 

 

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What do you think?  Is it all fun and games, or are we shooting ourselves (and the advertising industry) in the foot?  Is this creative confessional what it’s all about?

Are these posts what we want the advertising industry to be known for?

 

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Why Are Freelance Advertising Creatives Failing?

Why aren't freelance advertising creatives making the money their talent deserves? (photo credit: efffective.com)

Why aren’t freelance advertising creatives making the money their talent deserves? (photo credit: efffective.com)

Freelance advertising creatives – art directors, copywriters and graphic designers – have great potential but often fall short in creating and maintaining a successful advertising freelance business.  Getting enough clients to sustain a full-time, lucrative business is the main challenge.  CLIENTS = MONEY  Freelance creatives aren’t landing clients so they aren’t making money (or enough money to continue freelancing and maintain their lifestyle).

Why is that?  Why are many talented advertising creatives unable to make money as freelancers?

Because of their brains.  Some of the best creatives are much more creative-minded than business-minded, much more right-brained than left-brained.*

OR

Because they don’t connect one on one.  While advertising art directors, copywriters and graphic designers have perfected the art of  connecting with the masses through, let’s say, a print ad, they aren’t experienced in generating client leads person by person.

OR

Because they go straight for the jugular…I mean…sale.  It’s a rookie mistake to pitch your services to a potential client before understanding if the individual and/or business is even interested and if so, what their true needs are.  Imagine pitching a serious brochure when a business wants a funny microsite.  Now imagine overwhelming an individual with talk of social media, web banners and mobile apps when they haven’t the slightest idea of what they want their logo to look like.  Freelancers must understand a potential client’s needs and then communicate how as an advertising creative professional they can meet those needs.

OR

Because they offer everything upfront.  Many creatives can do it all; they can create fully integrated campaigns and they can art direct and write.  Even if they can do everything, there are certain things they do better and enjoy doing more.  The freelancers that are having a harder time making money, are the ones who are offering everything upfront and not specializing.  Whether it’s designing packaging or writing radio scripts, freelancers who market themselves as an expert in an area are sought out by clients who need their expertise.  Once a freelancer is hired for what they’re known for, they can offer the client everything else.  For instance, a designer who is hired because of their specialty with packaging can also recommend he or she designs the business cards, brochures, print ads, landing pages, etc., in the same look and feel.

OR

Because they don’t target their ideal clients.  Ideal clients are the individuals or businesses that the freelancer is genuinely interested in and THAT HAVE THE MONEY TO PAY the freelancer.  As an advertising creative career coach, I primarily coach and consult senior- to executive-level creatives.  While I have a soft spot for helping students and juniors (and I do as much as possible), younger creatives aren’t my target audience. As a business owner, I must market to those who can afford the services I provide.  And currently, more than half of my clients freelance or own their own businesses, which I work with them to grow.

OR many talented advertising creatives are unable to make money as freelancers…

Because they don’t follow up.  Freelance creatives aren’t politely persistent – calling, e-mailing, stopping by in person, etc. – until they get a yes or a no.

As a freelancer, which of these is holding you back?  Post it in the comments below.

The good news is that while inherent creativity can’t be learned, business and sales skills can be learned.  Freelance creatives can succeed if they invest more of themselves in learning that left-brain, business side.

 

(*Side note: I am almost equally right-brained and left-brained. My creative side is a notch above my business side. Both sides came in handy when I was managing the creative department at Goodby, Silverstein & Partners, and now both benefit my clients as I coach and consult them to get unstuck, reach their goals and finally feel satisfied.)

Color & Branding

Color.  It plays an important role in design, branding and our everyday lives.

Color affects us.  It affects our emotions, our heart rate, our choices.

PBS released a mini documentary in its Off Book series entitled “The Effect of Color” [included at the end of this blog post].  The 7-minute video produced by Kornhaber Brown features color experts Thomas Bosket of Parsons The New School for Design, Leslie Harrington of Color Associate, Doty Horn of Fashion Institute Technology and representatives of www.mr-gif.com.

3 Main Takeaways from “The Effect of Color” Documentary

1. Color affects us physiologically and psychologically, soulfully and mentally

2. The 3 Types of Color Associations:

-Universal

Often physiological: When in a red room, our heart rate increases, we talk more and eat more. When on the red carpet, we walk faster.

-Cultural

Often a learned response

-Individual

Connected to our experiences

3. Economic, social, political, technological and environmental influencers drive the ebb and flow of color trends throughout history.  For example, during an economic downturn, people gravitate toward colors they perceive as safe.

Color in Your Branding

When creating your own personal brand, freelance business, or start-up company, consider your color choices carefully.  In The Effect of Color documentary the point was made that when you choose to wear a color, you are saying to the world, “This is me because I’m wearing this color.”  The same goes for your branding.

Color Affects Your Potential Clients

The colors of your logo and marketing materials will affect your potential clients.

Recognize how your potential clients universally and culturally associate with certain colors.  Unless their experiences are closely related to yours, cut out what you individually associate with a color.  (e.g., The color yellow may only make you think of your grandmother.)

Look at the colors of the branding your target audience is already respond to.  Are they responding to colors that are calm? Colors that convey luxury?  Funky, uncommon colors?  Safe colors? A certain combination of colors?  How do your consumers react to the simplicity or boldness of black & white?

One of the guys from Mr. GIF stated that, “You can make anything as long as you make it look intentional.”

Countless resources exist about the meaning of colors.  When searching in Google for “meaning of colors,” 92,100,000 results come up.  Knowing that, do some research, notice what your potential clients are responding to, play around with different colors, ask people you know in your target audience specific questions about the colors you are considering, and go from there.

E-mail Me for Color Advice

If you’d like my opinion on possible color choices, then e-mail me: angela@definingsuccesscoaching.com.  After all, I did my honor’s thesis in undergrad on “The Effects of Color in Advertising Across Generations.”

“The Effect of Color” Documentary

 

The Top 5 People who can get You Hired as an Advertising Creative

Do you know the top five people who can get you hired as an advertising art director, copywriter or graphic designer?

Often advertising creatives find themselves repeatedly applying to job postings or e-mailing the careers@theirdreamagency.com address with little-to-no response.  If you want a response, if you want that job as an art director, writer or designer at a top agency, you need to connect with and build relationships with the top five people who can get you hired.

Depending on the advertising agency, the order may switch up for the top five people who can hire you.

The Top 5 People Who Can Get You Hired as an Advertising Creative

  1. Creative Recruiters inside the agency
  2. Creative Directors – ECDs, GCDs, CDs, ACDs & Design Directors inside the agency
  3. People who know Creatives inside the agency
  4. People who know anyone inside the agency
  5. HR inside the agency

Did you notice how important it is to make connections INSIDE the agency where you want to work?

Yes, other people can help get you hired inside an agency – outside recruiters, your alumni association, your uncle – but start by concentrating on the top five.

Remember, it’s about building a relationship.  To spell it out: it isn’t about e-mailing your portfolio once and crossing your fingers nor is it about annoying the heck out of these people begging for a job daily or even weekly.  There’s a way to do it, but that’s another blog.

Happiness in Advertising?

Advertising People are Leaving Agencies

Research shows that 30% of advertising employees will leave their agencies this year. (This is one of the main reasons I’m working with advertising agencies through presentations and high-level career coaching.)

Driven to Help Advertising People

When I saw the question, “How Much Do You Utterly Despise Working in Advertising?”, I immediately wanted to reach out to miserable advertising people, GRAB THEM BY THE SHOULDERS and tell them it doesn’t have to be this way – THEY CAN BE HAPPY! I know the vicious cycle too well; I lived it and I have the solution. I can help whether it’s through an agency presentation, agency-sponsored coaching program or working directly with an advertising art director, copywriter, designer, ACD or CD without the involvement of his or her agency.  It’s my passion.  It’s my purpose.  And it’s also my biggest frustration to know that there are people in the advertising industry that don’t want to go to work in the morning and don’t know that they can change that.  When I get all fired up (e.g, this very moment), I have to remind myself that I can only help those that want the help (like my past and current clients)…oh and those that know an advertising career coach like me exists. And with that, I’ll end this public rant of sorts (which can’t quite compare to the intensity of the rant in the video below created by Deutsch LA) and get back to telling the industry I exist and I want to help.

Cannes Session

It’ll be interesting to see what Deutsch LA proposes and what they share about their “ownership culture” during next Monday’s (June 18, 2012) Cannes session “Ending The Agency Talent Rotisserie.”  Deutsch LA created a series of videos as a teaser including the video above, which were included in the AdFreak article with the subtitle Deutsch wants to make you happier.

What I Do – Money and More

Yes, turnover is costly to agencies and money is important to a business, but it’s not all about money.  Keeping talented creatives is a must.  Attracting talented creatives is a must.  And a certain level of happiness is a must if you want to create great ads consistently.  Deutsch LA recognizes that, “this agency talent rotisserie has real costs, on recruiting, creative excellence and business development.”

I push my clients to make substantial shifts toward employee satisfaction (custom to each agency and  advertising creative individual’s needs), so that each can be fulfilled when they were previously stuck.  So they can dramatically slow down or stop the agency talent rotisserie.  I guide them to the balance of efficiency with palatable culture.  They go from talk to action.  They go from their employees leaving to their employees being happy to work there again.

 

 

 

Creative Week 2012 Highlights

 

One Show Interactive Awards

Enjoying the company of my long-time friends, Creative Recruiters from GSP (Linda Harless and Zach Canfield) and DraftFCB (Rafi Kugler) was a personal highlight during Creative Week 2012. Here we are the final night of Creative Week at The One Show Interactive Awards.

Creative Week 2012 was a whirlwind, an incredible whirlwind.  Each day started with a breakfast presentation at 8:30a.m. and ended with parties that lasted until 3:30a.m.  (Note: That’s 19 hours of inspiration, networking and good times, and it’s impossible to do it all for 5 days straight.)  Here are some whirlwind highlights:

  • The people that think the Big Idea is dead are outnumbered.  No one is arguing about the Big Insight (as a replacement) yet.
  • Curate the funny.  That’s advice from Ron Faris, the Director of Brand Marketing for Virgin Mobile USA.
  • When an audience full of want-to-be authors are asked if they’ve ever wanted to write a book, 2 people will raise their hands – the guy who’s written a book and me.
  • Adobe’s VP of Experience Design, Michael Gough, never mentions the word “creativity” to his people.  For Adobe, it’s about the alignment of 10,000 people and getting them all moving in the same direction.  Imagine the “creative” alternative…
  • Every 7 to 10 years puppets become viable again.  The people of Jim Henson’s Creature Shop believe we’re on the onset of that.
  • The best networking happens after the events.  While business cards can be exchanged during pre-scheduled networking times, the most natural, genuine (and fun) networking takes place when people are hanging out because they want to.
  • The concept of “collaboration,” with its best of intentions, continues to be the black sheep in discussions on creativity.
  • People want to work with cool people and do cool stuff.
  • If phone chargers are gold, finding an outlet to use in Manhattan is platinum.
  • 72andSunny sat on a panel for provocative advertising and then swept The One Shows (yes, plural, both the advertising and interactive awards) with their provocative ads.

Coming soon: Advertising Week the first week in October 2012.

Creative Week 2012

The eve of Creative Week 2012 is upon us. This week, May 7 – 11, Manhattan and Brooklyn will be buzzing with sessions on creativity, panels on storytelling, and awards for the best design, advertising and interactive work in the country.

As a Creative Week Contributor, I will be tweeting from events live @DS_Coaching and posting blogs on the Creative Week Tumblr throughout the week. I’ll be attending everything from The Freelance Shift panel to Jim Henson’s Creature Shop Legacy session to the Education Summit to the highly-anticipated Creative unConference to The One Show’s Design, Advertising and Interactive Awards as well as The 91st Annual Art Directors Club Awards. It’ll be a wild and creative ride. Stay tuned.

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